John Nixon launch. Negative Press.Photo: Yanni Florence
Katherine Hattam, To the Beach 2023, colour woodcut, edition of 30, 54 x 73 cm
7–9 February 2025
Linden New Art
26 Acland Street
St Kilda
Free Entry
Locust Jones, Warren Ellis One 2017, lithograph, 76 x 56 cm
Kylie Banyard, Saskia 2023, colour photo-screenprint, edition of 30, 73.2 x 55.8 cm
Rose Nolan, HELL/HELLO/HELLNO (10 x red rectangles + 2 x red triangles) 2020, screenprint on 12 sheets, edition of 10, 150 x 320 cm (overall)
Brent Harris, The Problem 2015, photopolymer gravure and multi-layer screenprint, edition of 30, 76 x 56 cm
Mini Graff, The Wrong Brooklyn #1 2014, screenprint, edition of 32, 56 x 76 cm
Baldessin Press
Kaleidoscope Editions
Megalo Print Studio
Negative Press
Print Council of Australia
Spacecraft
Sunshine Editions
Robert Jacks, Yellow Guitar 2003, screenprint, edition of 40, 56.5 x 38.5 cm
Elizabeth Boon & Trent Walter, Love Your Mother 2024, screenprint, edition of 15, 36 x 62 cm
GW Bot, Glyphs 2007, linocut, edition of 40 75 x 57 cm
August Carpenter, these light leaks, they come from nowhere 2024, Monotype with chine colléPaper size 42x58cm / Plate size 32x47cm, Framed 46x64cm
Joel Arthur,Various Sensations Purple, 2022, reduction woodcut, CMYK screenprint, 57cm x76 cm. Courtesy of the artist and Megalo Print Studio
Kate Daw & Stewart Russell, love, work (prelude, aftermath, everyday), 2020(detail), water based pigments, materials: Indian calico, cedar from Western Canada, previously usedto make doors in Naarm/Melbourne, dimensionsvariable, 6 works, edition of 3, Courtesy of Stewart Russell, the Estate of Kate Daw and Spacecraft
Jon Campbell. Yeah Yeah Yeah, monotype, 53.5 x 73 cm